The Conference is organized into 9 parallel tracks in order to address several different Cultures of Design. Each track is described with only three keywords to tackle and explore all possible approaches, methods, visions, experiments that can draw the scenario of different Design Cultures. Therefore, authors are invited to share innovative, original, inspiring and disruptive ideas in their papers. The call for Papers, Posters and Exhibition is available in PDF format and below.
ARTIFICIAL | LANGUAGES | LIFE | MAKING |MULTIPLICITY | PROXIMITY | RESILIENCE | REVOLUTION | THINKING
DESIGN CULTURE (OF) ARTIFICIAL
DIGITAL | TECHNOLOGY | ROBOTICS
João de Sá Bonelli, PUC-Rio Department of Arts & Design, Brasile
Mathias Funk, Eindhoven University of Technology, Netherlands
Patrizia Marti, University of Siena, Italy
Giuseppe Mincolelli, University of Ferrara, Italy
DESIGN CULTURE (OF) LANGUAGES
AESTHETICS | EXPRESSION | VISUAL
Nicolò Ceccarelli, University of Sassari, Italy
Chele Esteve Sendra, Polytechnic University of Valencia, Spain
Spartaco Paris, Sapienza University of Rome, Italy
Merav Perez, Shenkar College of Engineering and Design, Israel
DESIGN CULTURE (OF) LIFE
NATURE | BIOLOGY | HUMAN
Pepetto Di Bucchianico, D’Annunzio University of Chieti–Pescara, Italy
Emilia Duarte, IADE, Universidade Europeia, Portugal
Sabrina Lucibello, Sapienza University of Rome, Italy
DESIGN CULTURE (OF) MAKING
PROCESS | MANUFACTURING | POST-INDUSTRY
Mario Buono, University of Campania “Luigi Vanvitelli”, Italy
Eujin Pei, Brunel University London, United Kingdom
Andreas Sicklinger, University of Bologna, Italy
Oscar Tomico, ELISAVA Barcelona School of Design and Engineering, Spain
DESIGN CULTURE (OF) MULTIPLICITY
GENDER | PLURALISM | DIVERSITY
Özlem Er, Istanbul Bilgi University, Turkey
Raffaella Fagnoni, University of Genova, Italy
Gianni Sinni, University of the Republic of San Marino, Italy
Pradyumna Vyas, National Institute of Design, India
DESIGN CULTURE (OF) PROXIMITY
PLACES | PEOPLE | ECONOMY
Sam Bucolo, Swinburne University of Technology, Australia
Frédéric Degouzon, L’École de design Nantes Atlantique, France
Claudia De Giorgi, Polytechnic University of Turin, Italy
Giuseppe Lotti, University of Firenze, Italy
DESIGN CULTURE (OF) RESILIENCE
SOCIAL INNOVATION | CIRCULAR ECONOMY | SUSTAINABILITY
Davide Fassi, Polytechnic University of Milan, Italy
Miaosen Gong, Jiangnan University, China
Nicola Morelli, Aalborg University, Denmark
Maria Antonietta Sbordone, University of Campania “Luigi Vanvitelli”, Italy
DESIGN CULTURE (OF) REVOLUTION
CRITICAL THINKING | DISRUPTION | CHANGE
Hélène Day-Fraser, Emily Carr University of Art + Design, Canada
Alastair Fuad-Luke, Free University of Bozen-Bolzano, Italy
Stefano Maffei, Polytechnic University of Milan, Italy
Betti Marenko, Central Saint Martins, University of the Arts London, United Kingdom
DESIGN CULTURE (OF) THINKING
THEORY | HISTORY | CRITICS
Paola Bertola, Polytechnic University of Milan, Italy
Pier Paolo Peruccio, Polytechnic University of Turin, Italy
Márton Szentpéteri, Moholy-Nagy University of Art and Design, Hungary
The results of the conference will be published digitally with an ISBN as Conference Proceedings in order to compare and disseminate research, projects and experiences that will emerged during the days of the conference.
Call for Paper
Conference papers will be selected through a two-phase, double blind peer review process, which will be used both for long abstracts and full papers. Initial submissions must be anonymous and must not contain the name(s) of the author(s) or any reference to their affiliation. This information should be included only in the camera-ready paper after the full paper acceptance notification. The language of the conference is English, and all submissions must be in English. Submissions that do not comply with the submission rules will be excluded from the evaluation process and proceedings publication.
Accepted papers will be published in the proceedings if (at least one of) the authors register to the conference to present the work.
Long Abstract Submission | Deadline 01-10-2019
At first stage, authors are invited to submit a long abstract and keywords using the ‘SUBMIT!’ link provided on the conference website (cumulusroma2020.org). The long abstract should be no longer than 600 words, with an additional space provided for bibliographical references. Please omit any references to the author(s) or the institutions they are affiliated with.
Full Paper Submission | Deadline 01-02-2020
After the notification of the abstract acceptance, full papers should be submitted according to a template, which will be provided to the Authors. The length of the full paper should not exceed 4000 words (excluding references) and follow APA publication style for in-text citation and reference lists (www.apastyle.org). At this stage, files should be submitted in PDF version and should be anonymous without containing the name(s) of the author(s) or any reference to their affiliation. Documents that do not comply with this rule will be excluded from the evaluation process. Once reviewed, the accepted submissions will receive comments for necessary revisions for the final camera‐ready submission.
Camera-ready Paper Submission | Deadline 30-04-2020
After the notification of full paper acceptance, the final (camera-ready) version of the full paper should be submitted in both MSWord (.doc or .docx) and PDF format according to the conference template. Other formats are not accepted. At this stage the paper should include the name(s) and the affiliation of the author(s). Please keep the size of each file to less than 2Mb (including your illustrations) and use a file name beginning with the principal author’s last name, followed by the name of the track (Ex.: Smith_Artificial.doc).
Papers which are not presented at the conference will be excluded from the official proceedings. Therefore, it is needed that at least one of the authors attend to the conference to present the paper.
COPYRIGHT: By submitting papers for publication in the conference proceedings, authors are allowing for the publication of their work and assigning copyright of the submitted papers to the conference host. Authors’ traditional rights will not be infringed upon by assigning copyright in this manner, as authors retain the right to re-use the content of the papers.
Call for Poster | Deadline 01-02-2020
Authors will be invited to submit a poster using the ‘SUBMIT!’ link provided on the conference website (cumulusroma2020.org) starting from 1-10-2019. From this date, a poster template will be available at the conference website. Posters should present a research in a visually rich format, containing images (e.g. photographs, drawings, tables, diagrams, …) and an abstract of up to 300 words. References must follow the APA Style guidelines.
Poster submissions will be selected by the Scientific Committee and the Conference Chairs, and authors of accepted contributions should complete the conference registration in order to exhibit the poster during the Conference. Printing and poster installation will be handled by the conference organizers. Moreover, poster abstracts will be included in the conference proceedings.
Special Call for Exhibition | Deadline 01-02-2020
This call is open only to the Schools member of Cumulus Association.
Each school is invited to present a proposal for an exhibition in order to display its interpretation of the Conference theme “Design Culture(s)”.
To submit the Exhibition proposals, use the ‘SUBMIT!’ link provided on the conference website (cumulusroma2020.org) starting from 1-10-2019. From this date, further information on the exhibition format will be available at the conference website.
Proposals should include a title, the name of the responsible person, an abstract with the aims and contents (maximum 800 words), as well as pictures about the works to be displayed. Proposals will be selected by an Exhibition Scientific Committee.
The call for Papers, Posters and Exhibition is also available in PDF format.
For further information contact the Conference Secretariat at: email@example.com